So fast. Grackles one day, robins, juncos. House finches, then kinglets, suddenly a kingfisher. There were great blue herons and double crested cormorants. The goldfinches have been here all along, progressively putting on their colors, chickadees calling with sweet relaxed excitement their two-tone whistle. Unlike the psychotic cardinal pimping his territory at half past three in the morning. And yesterday the first chipping sparrows. A week ago the first brown creeper though I didn’t know they left. God, I wish spring lasted ten years. Spring, for me, needs to be a mighty epic. Books and shelves of books of days and lifetimes spent in the moist light of wilting pink blossoms. Ceremonies and processionals, months devoted to the muttonchops, chestnut no less, of the chestnut-sided warbler. And he would wait, everything would wait, every drop of rain and every malignant mass and every dropping cherry blossom. I just want ten thousand years with cool wet warm sun on my knees, a girl’s hair, worn, happy perfume, young anxious fingers and silly smiles of gladness. Tired feet and tired eyes and thrilling heart resting tenderly in the explosion. I just want another ten or twenty thousand years in that easy afternoon. Spring, even the air tries to sneak a finger along your ribs.
Meanwhile, these confused tulips with frost-burned tips bloomed so furiously their petals almost exploded. At the very least I think their thin, curiously wide and flat necks are broken, splayed, sore, but not unhappy it seems. So quick and here already my tulips look spent. No idea what happened this year. I really have to plant daffodils this fall to extend the storm of color.
Meanwhile, meanwhile, my native plants wake up like long-legged, gentle mad-women, fierce as badgers and soft as the fat cheek of a two year old sleeping, eager as new water through the breach. Follow the light, follow the light through the dust country. That was your toe print, that was the stone that bit you, that is the love of your brown eyed dog, patient, intelligent and gone again through the breach. These plants I set loose. I think, "God bless them, please."
Please. We're lucky these plants don't come for us in the night. Maybe they do. Maybe it does all come back to the nose and the electric beetles. Brains of dung and scratchy chitinous feet croqueting us back to heaven. They take over this yard fast enough, but not fast enough for me. Will I ever enjoy that eternal moment of volatile oil and blistering sun again? So ephemeral, so silly I won't even share that moment. I haven't yet, not even now, not even with you. But there is something in these oils escaping into the sun, there is something in these plants waking up and dancing brightly against the crumbling wall of bleak, blank idiocy.
Anyway, I found out when I got home this evening that Eastern Market burned last night, or early this morning. Quite a blow.
Monday, April 30, 2007
Saturday, April 28, 2007
Thank god for the bob and the dip.
The years, the years you spend with them, with their hair and their furniture,
with their earrings and their chipped dishes, their tattered photos and dog-eared books,
Rumi andRimbaud and Faulkner and Atwood and Jean Auel and Stephen King,
with the books they couldn’t throw away from the classes they finished and almost finished,
with the Monday underwear, the worm-holed lace and polyester, the sieve-ed cotton,
with the broken elastic, the worms of square rubber, and the stains too obvious to mention,
with the blankets their grandmothers made for them,
with the sour plum stones of decisions digested before you existed.
You live with these things and they mark you. This is normal? To love some stranger, someone you’ve never met until you’ve met her? This person, this person who has opened your mail, tossed your socks in the dryer, this person who has cried for you, for you, she is not even related to you. Sometimes, sometimes, you turn around and she’s dead.
What are you supposed to do with that?
Sometimes it will happen before anything happens,
before you are granted the right to bear a title,
before you are qualified to be widowed. Sometimes she will go,
in the day, in the night, in a car, an ambulance, a bed pan,
in a hospital bed, bed pan, but she’s gone.
Sometimes she will go down the drain in strawberry swirlies,
down the drain of a hotel bathroom in Mexico.
Sometimes, silly, she will have survived that and
you’ll not only know about it, you’ll be dumb enough to think it won’t happen again, but,
Sometimes it will.
Sometimes, on a Friday morning,
the week you broke up,
that week you finally had to go
—see, that happens, and it should be some kind of ok—
but it’s not ok, not ok,
not ok. She, will sometimes check into a hotel
in a picturesque river town—not quite Mexico, a nice enough town this one, but too Republican—
sometimes it will happen that on the way to this hotel along the interstate,
there will be a Fleet Farm, and at this Fleet Farm they will,
Sometimes, sell her not only a rifle, but ammuniton.
Sometimes,
She might drive back to your town and kill you,
if
only
for
breaking
her heart.
But this time she didn’t.
Sometimes, she’ll continue on to that charming, minor resort--really minor--resort town hotel and she’ll get a room. There, she’ll finish what she started in Mexico. A rifle this time instead of bloody vomit. No hospital, no recovery, no shrinks, no meeting you, not-this-time. And I really do have a problem with time.
Sometimes it’s all about the hips. There are hips and there is a beat and there is the heart of the world, what can you say, but-help-oh-Jesus-fuck. Thank god for the line of her, cutting through the day, keeping you above the tide line. Those hips and thank god for her, the thighs and the slim rondure, the arc and the sway, the precious cresting of god’s imagination that is, sometimes, a woman, ringing the bell, the bell of denim and taut chevrons, the bell and the spool of dreaming, the line of mysterious, tricky thought from navel to ankle and back to chin again, the line of cool cheeking left behind, if only in the mind’s eye. What does that skin smell like? What does that skin taste like? What is that, that kite of one life cracking in the ions before you? A butterfly mated to a rabbit, the grace and the softness and the airy pure, lemony-sex as she floats by, ringing that damn bell. How could you not love that? How could you not want that, the skin of dancing shadows?
with their earrings and their chipped dishes, their tattered photos and dog-eared books,
Rumi andRimbaud and Faulkner and Atwood and Jean Auel and Stephen King,
with the books they couldn’t throw away from the classes they finished and almost finished,
with the Monday underwear, the worm-holed lace and polyester, the sieve-ed cotton,
with the broken elastic, the worms of square rubber, and the stains too obvious to mention,
with the blankets their grandmothers made for them,
with the sour plum stones of decisions digested before you existed.
You live with these things and they mark you. This is normal? To love some stranger, someone you’ve never met until you’ve met her? This person, this person who has opened your mail, tossed your socks in the dryer, this person who has cried for you, for you, she is not even related to you. Sometimes, sometimes, you turn around and she’s dead.
What are you supposed to do with that?
Sometimes it will happen before anything happens,
before you are granted the right to bear a title,
before you are qualified to be widowed. Sometimes she will go,
in the day, in the night, in a car, an ambulance, a bed pan,
in a hospital bed, bed pan, but she’s gone.
Sometimes she will go down the drain in strawberry swirlies,
down the drain of a hotel bathroom in Mexico.
Sometimes, silly, she will have survived that and
you’ll not only know about it, you’ll be dumb enough to think it won’t happen again, but,
Sometimes it will.
Sometimes, on a Friday morning,
the week you broke up,
that week you finally had to go
—see, that happens, and it should be some kind of ok—
but it’s not ok, not ok,
not ok. She, will sometimes check into a hotel
in a picturesque river town—not quite Mexico, a nice enough town this one, but too Republican—
sometimes it will happen that on the way to this hotel along the interstate,
there will be a Fleet Farm, and at this Fleet Farm they will,
Sometimes, sell her not only a rifle, but ammuniton.
Sometimes,
She might drive back to your town and kill you,
if
only
for
breaking
her heart.
But this time she didn’t.
Sometimes, she’ll continue on to that charming, minor resort--really minor--resort town hotel and she’ll get a room. There, she’ll finish what she started in Mexico. A rifle this time instead of bloody vomit. No hospital, no recovery, no shrinks, no meeting you, not-this-time. And I really do have a problem with time.
Sometimes it’s all about the hips. There are hips and there is a beat and there is the heart of the world, what can you say, but-help-oh-Jesus-fuck. Thank god for the line of her, cutting through the day, keeping you above the tide line. Those hips and thank god for her, the thighs and the slim rondure, the arc and the sway, the precious cresting of god’s imagination that is, sometimes, a woman, ringing the bell, the bell of denim and taut chevrons, the bell and the spool of dreaming, the line of mysterious, tricky thought from navel to ankle and back to chin again, the line of cool cheeking left behind, if only in the mind’s eye. What does that skin smell like? What does that skin taste like? What is that, that kite of one life cracking in the ions before you? A butterfly mated to a rabbit, the grace and the softness and the airy pure, lemony-sex as she floats by, ringing that damn bell. How could you not love that? How could you not want that, the skin of dancing shadows?
On the quitting of smoking
How many times have we done this, but this, now six, seven weeks in, it feels like the last. Too tired and too many stakes to start again. One hopes.
Trying to write without smoking is like taking a musk melon, a bag of weeping, badly rotted muskmelons to the prom. And they’ve got a nasty yeast infection, plus the clap, so even if….Similes are forced, like cement through your piss hole, or worse yet, like hot pepper diarrhea through your tear ducts—actually those work too well. I’ll try again: Similes are forced, like a dead sandpiper in your milkshake. Ok?
Even drinking strong beer at nine in the morning, that siren of tumors and metastases, that curling blue, gossamer goddess, that muse of suicides, that doctor before time, your slim white lady with reeking breath, she calls to you, even now, she holds the key.
Well fuck, if not the key, she holds something. After all, we go back to her rank sheets time and time again. Millions of us, kneeling before this dominatrix. No, I have no idea why I’ve cast tobacco as a woman. I think it is just because I am a man and the smoke, she seduces me. If I were a woman, I think I would write of smoking the hot blue smoke-pumping pole, or some such, but I’m not.
In the quitting of smoking there are lessons. Mostly that quitting smoking sucks. Not because you quit some drug, some specific chemical, some brain-wave interloper. You quit yourself. Some idea of you, it wears the clothes you remember, its face is familiar, its eyes you don’t want to meet.
Comfort the shadow hunched on the rock, comfort it and it will go away. Follow it and it will run. Turn and be overtaken.
I want to write about that brittle edge of forgiveness, that stone Jesus, maybe a bench, sheltering and pouring forth hyacinths. It always comes back to hyacinths, and then to number ten sugar fine dust and roots of magnolias, scrub jays and pine duff, thin air crackling with magical intensity and the death of dreaming.
The best advice, the best, so pay attention if you need to know. The best advice I ever got on the quitting of smoking was, "The only way to quit smoking is not to smoke."
No shit. No laughing. That phrase has been, and may be, the only thing that keeps me away from the sweet weed. I only wish I could remember who told me that.
Make it a journey, the recounting. Risk it, risk losing your memory. The life doesn’t seem as bold. We’re all afraid to die. Threaten with sudden twisted evisceration and just about everybody will blanch. But this risk of self murder, this risk of leaving behind what you thought you might be, this hanging out your tender peeled penis and soul and bald eyes and flayed heart, handing it out for the magpies and the jays, your lovers and former lovers, your enemies and the people you despise, this killing the self tastes a little off. Is it supposed to taste this way? Buttermilk kissing underneath the bleachers with mildewed rags and shellfish in the sun. Should you spit it out? A ball of pine-sol burning the tongue and nobody, not one soul, gives a shit if you eat it, not one.
This writing space is a cave. Possibility crawls up the walls, leaving bright green, wet shinings behind. In the weak light we can almost see our fingers as we wash our hands. Reading patterns in bright green stars, these hearts tacked to the stone. The lack of smoke is noticeable in a small, wet cave.
I’ve never known where I stood, she said, so I guess I’ll stand next to you.
Ok, he said. That’s ok. Stand here. I’m sorry my feet stink.
Trying to write without smoking is like taking a musk melon, a bag of weeping, badly rotted muskmelons to the prom. And they’ve got a nasty yeast infection, plus the clap, so even if….Similes are forced, like cement through your piss hole, or worse yet, like hot pepper diarrhea through your tear ducts—actually those work too well. I’ll try again: Similes are forced, like a dead sandpiper in your milkshake. Ok?
Even drinking strong beer at nine in the morning, that siren of tumors and metastases, that curling blue, gossamer goddess, that muse of suicides, that doctor before time, your slim white lady with reeking breath, she calls to you, even now, she holds the key.
Well fuck, if not the key, she holds something. After all, we go back to her rank sheets time and time again. Millions of us, kneeling before this dominatrix. No, I have no idea why I’ve cast tobacco as a woman. I think it is just because I am a man and the smoke, she seduces me. If I were a woman, I think I would write of smoking the hot blue smoke-pumping pole, or some such, but I’m not.
In the quitting of smoking there are lessons. Mostly that quitting smoking sucks. Not because you quit some drug, some specific chemical, some brain-wave interloper. You quit yourself. Some idea of you, it wears the clothes you remember, its face is familiar, its eyes you don’t want to meet.
Comfort the shadow hunched on the rock, comfort it and it will go away. Follow it and it will run. Turn and be overtaken.
I want to write about that brittle edge of forgiveness, that stone Jesus, maybe a bench, sheltering and pouring forth hyacinths. It always comes back to hyacinths, and then to number ten sugar fine dust and roots of magnolias, scrub jays and pine duff, thin air crackling with magical intensity and the death of dreaming.
The best advice, the best, so pay attention if you need to know. The best advice I ever got on the quitting of smoking was, "The only way to quit smoking is not to smoke."
No shit. No laughing. That phrase has been, and may be, the only thing that keeps me away from the sweet weed. I only wish I could remember who told me that.
Make it a journey, the recounting. Risk it, risk losing your memory. The life doesn’t seem as bold. We’re all afraid to die. Threaten with sudden twisted evisceration and just about everybody will blanch. But this risk of self murder, this risk of leaving behind what you thought you might be, this hanging out your tender peeled penis and soul and bald eyes and flayed heart, handing it out for the magpies and the jays, your lovers and former lovers, your enemies and the people you despise, this killing the self tastes a little off. Is it supposed to taste this way? Buttermilk kissing underneath the bleachers with mildewed rags and shellfish in the sun. Should you spit it out? A ball of pine-sol burning the tongue and nobody, not one soul, gives a shit if you eat it, not one.
This writing space is a cave. Possibility crawls up the walls, leaving bright green, wet shinings behind. In the weak light we can almost see our fingers as we wash our hands. Reading patterns in bright green stars, these hearts tacked to the stone. The lack of smoke is noticeable in a small, wet cave.
I’ve never known where I stood, she said, so I guess I’ll stand next to you.
Ok, he said. That’s ok. Stand here. I’m sorry my feet stink.
Saturday, April 21, 2007
Medlar or Michigan banana, too many names and too many ghosts
Here we go again, she said, she said, that goldfinch, with her spring speckle, with the downy confusion, the panic and the heat, the world turning all on a thistle seed.
What could you say about that? You know which that, that that. The marble, the blood, and the long, long, leafing through fine soled shoes, the thick heels and the bell, it’s all about the bell, denim-wrapped, the perfect curve, god’s own smiling bow, the crest and the swell, swinging dipping, belling--sound me, sound me deep all I know anymore is that thin space between the bell and the strike, if only that were all there were. If only lifetimes were fifteen seconds, I’d love to live again and again. In that space between her hip and the faint air dimple of her passing, yellow threads stitching fire, rivets, the tug, double up and kiss, that’s all it is, all it is, it is. But isn’t that something?
I suddenly realized, and not long ago, that it is all about the pupil. God has been knocking at my pupil’s door, as it were. Of course, it has always been about the scent, nothing can change that. It has always been in the nose, the space where I exist, but that one eye I saw, that sweet face of god, that one eye of aquamarine tissue, blown tissue, fissures and fjords and seeping black, the fuzzy uncertain iris in that otherwise implacable stare, that pupil said to me, one Thursday, it was Thursday, and parted brown hairs warm air rising, in that rising column, the elegant, sacred, furry space, in that warm bowl of becoming, that ocean, that slippery otter flashing across my mind, right there, there was this thing, this blown pupil, this bending of blackness that made me pause, just for a second, and remember all the rest. There was that, and there was freckle.
I don’t mind a woman. I don’t mind to see a woman stretched out, a bright wire, a thin tight line between the ground and the sky, the hard edge, and her nipples spitting fire at the moon, no I don’t mind that so much. I don’t mind the custard bowl, the risen loaf, that Michigan banana of cresting sweetness, the bowl and the bell, the rhubarb and cream skin, the rosy cleft, soft down and cotton memoirs, the sticky and the sweet.
I know, time is a problem for me. I have a problem with time. Just this minute, when I was picking almond skin from my teeth, there was a question as to whether I was up north, whether it was a field trip and we were all pretty young, the women with the taut, high-pitched areolas, bright and shrill. We were pretty young, young and full of shit, shitting full-barreled medlars, not the same as the loquat, loquat. Were we up north for god's sake or were we out west, in Fresno? The answer was obvious but somehow it all is smelling the same.
Loquat! It’s a cry, a scream, a world brought low, torn wide open. How dare you live without the loquat? Of course, here, I have no choice. I’ve left behind all that behind. The loquats and the fig. The persimmon and the pomegranate.
No, you have no idea how sick I am of these ghosts. Ghosts, like snot clinging to everything. The toothbrush covered with webbing, the forgotten grocery lists of dead people, the guilt and the pee-soaked shame. I am tired of these lists. Of course, I wouldn’t be very happy to be covered with fleas either, so there is that. At least I am not currently covered by fleas. See, you have to keep these things in perspective.
What could you say about that? You know which that, that that. The marble, the blood, and the long, long, leafing through fine soled shoes, the thick heels and the bell, it’s all about the bell, denim-wrapped, the perfect curve, god’s own smiling bow, the crest and the swell, swinging dipping, belling--sound me, sound me deep all I know anymore is that thin space between the bell and the strike, if only that were all there were. If only lifetimes were fifteen seconds, I’d love to live again and again. In that space between her hip and the faint air dimple of her passing, yellow threads stitching fire, rivets, the tug, double up and kiss, that’s all it is, all it is, it is. But isn’t that something?
I suddenly realized, and not long ago, that it is all about the pupil. God has been knocking at my pupil’s door, as it were. Of course, it has always been about the scent, nothing can change that. It has always been in the nose, the space where I exist, but that one eye I saw, that sweet face of god, that one eye of aquamarine tissue, blown tissue, fissures and fjords and seeping black, the fuzzy uncertain iris in that otherwise implacable stare, that pupil said to me, one Thursday, it was Thursday, and parted brown hairs warm air rising, in that rising column, the elegant, sacred, furry space, in that warm bowl of becoming, that ocean, that slippery otter flashing across my mind, right there, there was this thing, this blown pupil, this bending of blackness that made me pause, just for a second, and remember all the rest. There was that, and there was freckle.
I don’t mind a woman. I don’t mind to see a woman stretched out, a bright wire, a thin tight line between the ground and the sky, the hard edge, and her nipples spitting fire at the moon, no I don’t mind that so much. I don’t mind the custard bowl, the risen loaf, that Michigan banana of cresting sweetness, the bowl and the bell, the rhubarb and cream skin, the rosy cleft, soft down and cotton memoirs, the sticky and the sweet.
I know, time is a problem for me. I have a problem with time. Just this minute, when I was picking almond skin from my teeth, there was a question as to whether I was up north, whether it was a field trip and we were all pretty young, the women with the taut, high-pitched areolas, bright and shrill. We were pretty young, young and full of shit, shitting full-barreled medlars, not the same as the loquat, loquat. Were we up north for god's sake or were we out west, in Fresno? The answer was obvious but somehow it all is smelling the same.
Loquat! It’s a cry, a scream, a world brought low, torn wide open. How dare you live without the loquat? Of course, here, I have no choice. I’ve left behind all that behind. The loquats and the fig. The persimmon and the pomegranate.
No, you have no idea how sick I am of these ghosts. Ghosts, like snot clinging to everything. The toothbrush covered with webbing, the forgotten grocery lists of dead people, the guilt and the pee-soaked shame. I am tired of these lists. Of course, I wouldn’t be very happy to be covered with fleas either, so there is that. At least I am not currently covered by fleas. See, you have to keep these things in perspective.
Saturday, March 31, 2007
Dulles airport in summer about 1998
I like garbage bags, a lot, the smell and the cool slick slicking unfolding, the roar and snap, but I can’t stand your plastic forks and your hair styles. Your television makes me want to gouge out my eyes with a dull shoe horn, so I think I’ll just wait over here.
So, for fuck’s sake, I’m sitting over in the corner on this cat-piss-stained corduroy ottoman, it was mostly tan, waiting for the eighth or the fifteenth or the thirty second coming of the coming of the coming of the spiraling toward some beginning, and I’m waiting for when it was ok to smoke again, cause I kind of liked it then, and the cat piss is smoking up all my dreams, but still I’m waiting, and I’m in love with the black vinyl and it’s Dulles all over again putting in a quarter to watch Bob Barker and buying Pep-o-mint Lifesavers and they really did save your life in those days, not like today, but it was okay there in the melting light with the terrazzo pressing against my hippocampus, it was ok in the thin vein of satiny steel, I liked that metal, that curving cement like the arching back of a horned-out lover, humid mid-Atlantic atlatting somewhere between solar plexus and spine—it’s pink ninnies on ice—but that was where I was waiting, in the moist “O” space between her tongue and her teeth, just behind the wall of silence draped between her lips. I always liked that shadowy space and it was not uncomfortable to sit on the black vinyl slowly drying despite myself.
"Thank god for air conditioning," was all she said, as she sat down beside me. The cotton pimples and the blue puckered remembrance of you. I liked the smell of her powder. Thank god for the powder. She never told me, but it was a yellow jar with a white lid.
"Dry your thighs or you’ll get the rice," is what it sounded like, when her wrinkles parted and the bristly short hairs which had become her lip issued that advice. I liked the pleats and the seer sucking better, so I focused on the wrinkled blue toes of her shoes instead. Not wanting to offend I tried not to breath and we waited, waited again.
But I did love that Dulles and if I ever see her again, what swell might I find to shine, that Dulles once in the sun dress in the weighted air in the heavy light, atomic parking spaces and just on the blinding side of thirty, the nipples and the weft.
Thank god the planes had to go or I’d be sitting there still, and maybe she too, dead and rotting inside her wrinkled blue shoes.
Careful what you quit, it might be the only thing holding you together.
Don’t quit her, whatever you do. She’s a tide pool, a cool and bright cauldron of gametes and shining wet skin. With the pain and the fury, but still with the fine hair in water and the black rock, don’t let her go. Hide hide, wait for the water to rise. Waiting while the goldfinches swim nervously by, gold gold, presto he exclaims, again and again for several days. Anxious black jewels with the darting and darting, watching for the death that never comes, until it does.
Here they are! The goldfinches, having found their feathers, and all the colors of summer. Having found the swing and the pendulous dips, the sizzle and the kiss.
So, for fuck’s sake, I’m sitting over in the corner on this cat-piss-stained corduroy ottoman, it was mostly tan, waiting for the eighth or the fifteenth or the thirty second coming of the coming of the coming of the spiraling toward some beginning, and I’m waiting for when it was ok to smoke again, cause I kind of liked it then, and the cat piss is smoking up all my dreams, but still I’m waiting, and I’m in love with the black vinyl and it’s Dulles all over again putting in a quarter to watch Bob Barker and buying Pep-o-mint Lifesavers and they really did save your life in those days, not like today, but it was okay there in the melting light with the terrazzo pressing against my hippocampus, it was ok in the thin vein of satiny steel, I liked that metal, that curving cement like the arching back of a horned-out lover, humid mid-Atlantic atlatting somewhere between solar plexus and spine—it’s pink ninnies on ice—but that was where I was waiting, in the moist “O” space between her tongue and her teeth, just behind the wall of silence draped between her lips. I always liked that shadowy space and it was not uncomfortable to sit on the black vinyl slowly drying despite myself.
"Thank god for air conditioning," was all she said, as she sat down beside me. The cotton pimples and the blue puckered remembrance of you. I liked the smell of her powder. Thank god for the powder. She never told me, but it was a yellow jar with a white lid.
"Dry your thighs or you’ll get the rice," is what it sounded like, when her wrinkles parted and the bristly short hairs which had become her lip issued that advice. I liked the pleats and the seer sucking better, so I focused on the wrinkled blue toes of her shoes instead. Not wanting to offend I tried not to breath and we waited, waited again.
But I did love that Dulles and if I ever see her again, what swell might I find to shine, that Dulles once in the sun dress in the weighted air in the heavy light, atomic parking spaces and just on the blinding side of thirty, the nipples and the weft.
Thank god the planes had to go or I’d be sitting there still, and maybe she too, dead and rotting inside her wrinkled blue shoes.
Careful what you quit, it might be the only thing holding you together.
Don’t quit her, whatever you do. She’s a tide pool, a cool and bright cauldron of gametes and shining wet skin. With the pain and the fury, but still with the fine hair in water and the black rock, don’t let her go. Hide hide, wait for the water to rise. Waiting while the goldfinches swim nervously by, gold gold, presto he exclaims, again and again for several days. Anxious black jewels with the darting and darting, watching for the death that never comes, until it does.
Here they are! The goldfinches, having found their feathers, and all the colors of summer. Having found the swing and the pendulous dips, the sizzle and the kiss.
Wednesday, November 22, 2006
Dog King
The dog king, I wish there were, king of just bent velvet ears and fish muzzles. Called to stand before the dog king to answer for my sins, the dog king. Deep underground, in the cool earth and smooth stones, thick fur and a sea of upturned, black satin noses. Torchlight turning on a crowd of gold and green, his army of watching night. Sighs and bad farts and endless excitement over squirrel dreams here or there. Don't try to pet the dog king. It's too late for that.
Tuesday, November 14, 2006
Sunday, November 12, 2006
Hey Good for me. I found the, chronologically in terms of black pixels on white, the very next bit of nonsense I wrote after the last time I posted here. Not five minutes ago. I mean January. Still thinking of my grandmother's pomegranates jelly:
January 5 or so, 2006
Maybe there should be that clear claret, that Christmas jelly, the blood of Christ, the blood of rabbits and satyrs, of jaguars and suns and lovers. Maybe it should be in the short jars, the rusted bands, the gaudy lids. Maybe that should be the breaking point, the stone of no forgetting, the hairball over which we just will not compromise.
That jelly, that pomegranate jelly. And it was jelly, not some fantastic imagining of mine, not jam, and not syrup. Acid and bright and perfect for buttered, toasted bread. The color as much as the taste. New light! There's no light such as that. The quivering, infinitely faceted, holy grail in--just that, just a jelly jar.
Eleanor would send them at Christmas, along with date bars—though we never grew dates. Date bars are one of those memories I can still taste, but more nostalgic than good. I smell them. The aluminum foil, the plastic wrap, the powdered sugar and there in, the background, the smell of cat boxes and oiled hardwoods and newly cut Christmas trees and dogsbreath. A puff of powdered sugar and then the smell of weight. The smell of sweet weight.
None save my dad was sure if date bars were a good thing, but he loved them. We loved that we got them, we loved the excitement of the doorbell and the cardboard and the mad wild cutting with dull scissors and chewed pencils and thumbnails and butterknives—we loved the opening and the arriving, but not so much the eating. Grant that today I’d give a pinky—and I hope my grandmother wouldn’t be offended but I honestly would save my index fingers—I’d give at least a pinky that she were alive again and interested in making those sweet gravestones, those sacks of lead, those squares of anti-matter, those incredibly dense and deceptively white-dusted date bars. But I'd give my life to live one more day inside that pomegranate light, that light where everyone is living and every moment is just to begin.
January 5 or so, 2006
Maybe there should be that clear claret, that Christmas jelly, the blood of Christ, the blood of rabbits and satyrs, of jaguars and suns and lovers. Maybe it should be in the short jars, the rusted bands, the gaudy lids. Maybe that should be the breaking point, the stone of no forgetting, the hairball over which we just will not compromise.
That jelly, that pomegranate jelly. And it was jelly, not some fantastic imagining of mine, not jam, and not syrup. Acid and bright and perfect for buttered, toasted bread. The color as much as the taste. New light! There's no light such as that. The quivering, infinitely faceted, holy grail in--just that, just a jelly jar.
Eleanor would send them at Christmas, along with date bars—though we never grew dates. Date bars are one of those memories I can still taste, but more nostalgic than good. I smell them. The aluminum foil, the plastic wrap, the powdered sugar and there in, the background, the smell of cat boxes and oiled hardwoods and newly cut Christmas trees and dogsbreath. A puff of powdered sugar and then the smell of weight. The smell of sweet weight.
None save my dad was sure if date bars were a good thing, but he loved them. We loved that we got them, we loved the excitement of the doorbell and the cardboard and the mad wild cutting with dull scissors and chewed pencils and thumbnails and butterknives—we loved the opening and the arriving, but not so much the eating. Grant that today I’d give a pinky—and I hope my grandmother wouldn’t be offended but I honestly would save my index fingers—I’d give at least a pinky that she were alive again and interested in making those sweet gravestones, those sacks of lead, those squares of anti-matter, those incredibly dense and deceptively white-dusted date bars. But I'd give my life to live one more day inside that pomegranate light, that light where everyone is living and every moment is just to begin.
Old friends and new. Salt, eyelids and coffee grounds.
I recently got an email from a good friend whom I've never met. How that internet thing goes. A powerful writer, an oyster, a forge, an extruder of thin, taut, spare, painfully true word, this old friend. Doesn't have a blog that I know of, or I'd link it. Yes, well, she asked, more or less, "What, are you living or dead?"
A new friend, whom I've never met, sends me a similar email. Another writer. Have no idea how she found this three times, at that time, posted to blog, but she did and she asked, more or less, "Why the hell don't you write more?" Wait, this one does have a blog: this stoney planet that we farm .
So, well, hell, I don't know why I don't write.
A paragraph bringing up to date, a sentence maybe. After all, it hasn't even been a year, quite. Finished school with the most useless degree imaginable--philosophy. Got married, beautiful woman with eyes, these eyes. Another cat, maybe two. Fatter, slower, and I think that's it.
So, with a little more nonsense of the past week to follow. I do love hearing from old friends and new. I just have this really horrible awareness of time.
The more nonsense part, hot, more or less, from the metaphysical brown star:
Parchment skin and lethargic smells. Old powder and cedar wood, Downy, down down down down. Aromas notwithstanding, the betrayal. What happened to her skin, the fissures and the crepe? The haunting and the haunting. That bow mouth of a child reincarnating with a sweet smile and slicing through the dreamspace, rusted barbed wire.
If life were only as glossy and simple as a Victoria’s Secret catalogue. Maybe it is. Just imagine the women are for sale, but not for their sex, rather for their meat. I know they don’t look very meaty, but extra-lean is hot now. Hot hot hot. Low fat and low cholesterol and think jellied nipples, Brazilian super-aspic, crisp, roasted soles of dainty feet. Specialty market. Pricing exotic, like duck-billed platypus or panda loin.
Which turn of the wheel is this? And if we were bubble jelly, if we walked with our yolk to the sun, bubble jelly, a taut shiny skin turned to the wind, puckered with abscission, if we walked with tender feet tasting stone and leaves, hard leather forming on our backs, between shoulder bones and blond wire hairs, a mantle hardening off, red leather yellow leather, just bubble leather rolling along?
We’ve all got our one obvious abscission scar, that mossy, lint-filled oyster in our bellies. The innies and the outies. The scars they leave, the living in the dead. The unquiet smiles and sleepless nights and sour stomachs that fill our shadows. Moving slower all the time. Progressive constipation, sluggish lymph, and the strained smile of yellow teeth. Worm ridden fruit scared to leave the tree. Purgatory in the tall grass.
Are there angry spirits? Ill-tempered gin and seriously pissed-off peach schnapps?
“I know,” she said. “I don’t know, but we’ve been over this. But, what happened?”
What happened? What with the squirrel paste and the cigar boxes?
“If you must,” she said.
“With beet salad and goldfish toothpaste?”
“I know,” she said. “That even if you’ve been born again you still only have one mother.”
“I know,” I said. “That you have two navels.”
Sunday was spent, as Sundays are, mostly sitting around having compassion for parasites. Even ear mites have mothers.
“All I want to know,” she said, “Is what happened between the beginning and the end.”
“But, but there’s no such thing. Between the alpha and the omega there’s just the alpha and the omega, again and again.”
“For God’s sake,” she asked, “Between a taco and its shell isn’t there some condition of being, some grace of lettuce and cheese, some uncertain potentiality?”
“Not so much, after it’s eaten.”
Ancillary fish paste.
Just walking down Concord Street, loose asphalt marbles and men with stained pants, too much old masking tape and not enough busses, ghosts almost cheerful and bewildered, bobbing along like balloons on a thread, peering into ugly plastic strollers in blue, and just out of nowhere she turns to a man who’s getting out of a shining Camry and cries,
“Pig Fucker!”
It’s not a joke. Said in earnest, loud loud, a little shrill. Bracing for a fight, thinking not again, I look at his face swelling from the vee of black wool, red bumpy neck and clotted whiteness, but there’s no fight. Of all things, he looks guilty, ashamed. But she’s left no space for him to confront his accuser, to defend, to apologize, the beg of forgiveness. Down the way she’s gone, a storm of weeds.
I shrugged at him as the jelly under his skill ticked.
A new friend, whom I've never met, sends me a similar email. Another writer. Have no idea how she found this three times, at that time, posted to blog, but she did and she asked, more or less, "Why the hell don't you write more?" Wait, this one does have a blog: this stoney planet that we farm .
So, well, hell, I don't know why I don't write.
A paragraph bringing up to date, a sentence maybe. After all, it hasn't even been a year, quite. Finished school with the most useless degree imaginable--philosophy. Got married, beautiful woman with eyes, these eyes. Another cat, maybe two. Fatter, slower, and I think that's it.
So, with a little more nonsense of the past week to follow. I do love hearing from old friends and new. I just have this really horrible awareness of time.
The more nonsense part, hot, more or less, from the metaphysical brown star:
Parchment skin and lethargic smells. Old powder and cedar wood, Downy, down down down down. Aromas notwithstanding, the betrayal. What happened to her skin, the fissures and the crepe? The haunting and the haunting. That bow mouth of a child reincarnating with a sweet smile and slicing through the dreamspace, rusted barbed wire.
If life were only as glossy and simple as a Victoria’s Secret catalogue. Maybe it is. Just imagine the women are for sale, but not for their sex, rather for their meat. I know they don’t look very meaty, but extra-lean is hot now. Hot hot hot. Low fat and low cholesterol and think jellied nipples, Brazilian super-aspic, crisp, roasted soles of dainty feet. Specialty market. Pricing exotic, like duck-billed platypus or panda loin.
Which turn of the wheel is this? And if we were bubble jelly, if we walked with our yolk to the sun, bubble jelly, a taut shiny skin turned to the wind, puckered with abscission, if we walked with tender feet tasting stone and leaves, hard leather forming on our backs, between shoulder bones and blond wire hairs, a mantle hardening off, red leather yellow leather, just bubble leather rolling along?
We’ve all got our one obvious abscission scar, that mossy, lint-filled oyster in our bellies. The innies and the outies. The scars they leave, the living in the dead. The unquiet smiles and sleepless nights and sour stomachs that fill our shadows. Moving slower all the time. Progressive constipation, sluggish lymph, and the strained smile of yellow teeth. Worm ridden fruit scared to leave the tree. Purgatory in the tall grass.
Are there angry spirits? Ill-tempered gin and seriously pissed-off peach schnapps?
“I know,” she said. “I don’t know, but we’ve been over this. But, what happened?”
What happened? What with the squirrel paste and the cigar boxes?
“If you must,” she said.
“With beet salad and goldfish toothpaste?”
“I know,” she said. “That even if you’ve been born again you still only have one mother.”
“I know,” I said. “That you have two navels.”
Sunday was spent, as Sundays are, mostly sitting around having compassion for parasites. Even ear mites have mothers.
“All I want to know,” she said, “Is what happened between the beginning and the end.”
“But, but there’s no such thing. Between the alpha and the omega there’s just the alpha and the omega, again and again.”
“For God’s sake,” she asked, “Between a taco and its shell isn’t there some condition of being, some grace of lettuce and cheese, some uncertain potentiality?”
“Not so much, after it’s eaten.”
Ancillary fish paste.
Just walking down Concord Street, loose asphalt marbles and men with stained pants, too much old masking tape and not enough busses, ghosts almost cheerful and bewildered, bobbing along like balloons on a thread, peering into ugly plastic strollers in blue, and just out of nowhere she turns to a man who’s getting out of a shining Camry and cries,
“Pig Fucker!”
It’s not a joke. Said in earnest, loud loud, a little shrill. Bracing for a fight, thinking not again, I look at his face swelling from the vee of black wool, red bumpy neck and clotted whiteness, but there’s no fight. Of all things, he looks guilty, ashamed. But she’s left no space for him to confront his accuser, to defend, to apologize, the beg of forgiveness. Down the way she’s gone, a storm of weeds.
I shrugged at him as the jelly under his skill ticked.
November 12 Instant nonsense
And the,
what is there to say again?
And the steam from her shower comes stealing down the stairs.
I smell London I smell France--I smell, I smell,
Enough to think I exist.
Blue veins and memories, ghosts of a blue spark.
What gets you up in the morning? What keeps you awake at night? Not the cats, not the dog, but the churning passion and desperate regrets, the guilt and the shame, bacon and coffee and the leftover smell of yesterday's oil crisping in sun-filled kitchens, bringing comfort from days-gone-by fried chicken. The warm, the aerosol, the tinny hand bag leading eventually to hair spray and clitoris. I remember the old leather, the purple leather.
Bright pink and bubblegum panties. I liked the eighties--Reagan was comforting to hate. Suddenly, Ortega's back and Reagan's in the ground and Bush, Bush has almost admitted he was wrong. Some other kid might grow up soon, which gives me hope, but not for me. Duran Duran is on tour. Living in a revolving shoe box, with priviledges, outside and in, this aging thing. And strange people keep throwing their pictures on me, love letters and cheap broken bracelets and premature dreams.
Mostly, she said, mostly it's the dreams of peeing. I hate that, she said. I pee and I pee and I pee, but nothing ever changes. There's the shit on the walls dream and the line too long dream and she won't stop talking dream and all I have to do is pee, but there's shit everywhere, on the seat and on the paper, on the rack of magazines. Doesn't that seem like a waste of dreaming, she said.
what is there to say again?
And the steam from her shower comes stealing down the stairs.
I smell London I smell France--I smell, I smell,
Enough to think I exist.
Blue veins and memories, ghosts of a blue spark.
What gets you up in the morning? What keeps you awake at night? Not the cats, not the dog, but the churning passion and desperate regrets, the guilt and the shame, bacon and coffee and the leftover smell of yesterday's oil crisping in sun-filled kitchens, bringing comfort from days-gone-by fried chicken. The warm, the aerosol, the tinny hand bag leading eventually to hair spray and clitoris. I remember the old leather, the purple leather.
Bright pink and bubblegum panties. I liked the eighties--Reagan was comforting to hate. Suddenly, Ortega's back and Reagan's in the ground and Bush, Bush has almost admitted he was wrong. Some other kid might grow up soon, which gives me hope, but not for me. Duran Duran is on tour. Living in a revolving shoe box, with priviledges, outside and in, this aging thing. And strange people keep throwing their pictures on me, love letters and cheap broken bracelets and premature dreams.
Mostly, she said, mostly it's the dreams of peeing. I hate that, she said. I pee and I pee and I pee, but nothing ever changes. There's the shit on the walls dream and the line too long dream and she won't stop talking dream and all I have to do is pee, but there's shit everywhere, on the seat and on the paper, on the rack of magazines. Doesn't that seem like a waste of dreaming, she said.
Saturday, January 07, 2006
House cats and the apocalypse
As one can never get too much of Pat Robertson....Actually I like this suggestion from Chris , except that an island off Alaska is something many of us dream about. For Pat I think a job bleaching brown stars in Rio would suit. Pat entertains while he terrifies. He rarely gets me to thinking, at least not since 1988 when there was at least a chance he would be elected president...and what sort of thinking is that except the apocalyptic kind. In honor of rapture-bound wingnuts everywhere I pulled the following from my desk drawer, stuffed away sometime in the late 1990s.
I went to the zoo to look for jaguars. It is not a bad zoo; it is a small zoo. They do the best they can with what they have. I wonder if zoos do for others what they do for me.
A zoo will always be vacation, even if I come straight from work. A zoo is a place cemented in childhood, even if it’s one I’ve never been. Somehow it is summer. I am ten or eight, or six years old. There will be deep fried burritos and pink popcorn sealed in cellophane and there will be plastic giraffes to buy and pinwheel rainbow hued suckers. There will be corn dogs and they will be good.
When I went to the zoo to look for jaguars I took my parents. They came to me across several states; we went to the zoo. There were corn dogs, not so good. I suppose I should have eaten only one, not waited so long for the onion rings. But I did get the corn dog. On my own personal judgment day, when ragnarok comes, this must count for something. A moonlighting St. Peter checking the blood-script on peanut skin parchment:
“Ah I see that you did have corn dogs. But did you see the prairie dogs? Did you have the deep fried burrito?”
“No, but we did have popcorn from a reproduction wagon. It had the clown and the wheel.”
“Wrong association. That was the Mall, outside the Natural History Museum.” St. Peter will blow through his beard in sympathy. “I am afraid this will cost you.”
“But we saw the giraffe and talked with the zebra…”
“Did you drink the red syrup frozen in a blue cup? The one with the bear?”
“No, I did not.”
“And did you eat the rainbow sucker?”
“I’ve got a bad tooth and besides, I never liked those anyway.”
St. Peter will draw black lines heavily upon my name.
“I did eat the corn dogs,” I have said, again and again and again.
“Yes, but have you learned to eat them with mustard? Was the batter so crisp it shattered like glass or was it hard and leathery, yielding with a snap?”
“Kind of soggy really. I neglected the mustard in favor of nostalgia.”
“But do you like mustard?”
“I love mustard. But it wouldn’t be the same then would it?”
“When is anything ever?” He will ask. “Look, finally, did your father bring his camera and take your picture against the hard blue sky?”
Oh my God, no camera, not that day. How could I answer to that omission?
“I guess you are screwed,” St. Peter will say. “If only for nostalgia’s sake.”
There were no jaguars at the Como Zoo, a five minute walk from my house. I have decided to find the nearest.
How do you do that?
If the jaguars are going to eat the sun, they had better start soon. There are not so many of them left, habitat disappearing acres into seconds. I wonder if they will pass the responsibility to house cats. The time will come, the coming of the sixth sun. Will millions of domestic short hairs, orange and calico, tabby and jet black, rise up to put the fifth sun to sleep?
“Butters,” I will ask the cat. “Butters why are you awake, breathing on me as the stars fall from the sky?”
“And the moon has turned red,” will say Butters, distractedly.
“And was it you who stole the covers last night? And you who shit on the bed? And what do you think is in the wall anyway?”
“I am very torn,” Butters will say.
“Yes, but you are speaking English and there are things I want to know.”
“I am supposed to consume you both, and this house, well--“ Butters pauses with a crinkle whisker frown. “I guess the whole world if I were the only one left able.”
Flick of the tail and sad worried eyes, staring staring at the familiar spot in the wall.
“Well, if you have to.” I will play a little with the covers, with Butter’s favorite blue wool blanket, enjoying the bewilderment of sleep. “I guess the jaguars got to you?”
“The responsibility is too basic to be sacred,” will say Butters. “Before the imagining of sacredness.”
“The sky has gone black Butters.”
“I never learned to use a can opener. You can’t imagine how much this frustrates me now.”
“I’m going back to sleep if you don’t mind, but I’m glad to know you’re my personal house cat of the apocalypse.”
Butters will sigh.
“Yes. Well, I have another problem. Not just the jaguars.”
“Oh?”
“It’s you. I guess you realize you missed the rapture.”
I would shrug, sheepish not surprised.
“And I’m eating this fifth sun.”
I would nod politely.
“But, it’s your genes, your tangled songlines, your ridiculous prayers and dreaming.”
“Yes of course,” sympathy and nostalgia for cat eyes on turkey and barf on my pillow.
“Well then, somehow I am also supposed to breathe on you and conduct you to the forest where you will sleep through the destruction of the Earth. That’s why I am breathing on you. See?”
“Oh.”
Butters breathing and staring, luminous crescent.
“Only….”
“Yes?”
“Where is the forest?”
I have faith in you Butters, I will think. You will find a forest and I will bring a can opener.
“Won’t the jaguars be pissed?” I’ll ask.
“Oh them? No no. Extinct, all gone,” she will have said.
“Don’t worry sweetheart,” I will have said. “After we’re gone you’ll fill that niche. Five hundred years tops.”
I went to the zoo to look for jaguars. It is not a bad zoo; it is a small zoo. They do the best they can with what they have. I wonder if zoos do for others what they do for me.
A zoo will always be vacation, even if I come straight from work. A zoo is a place cemented in childhood, even if it’s one I’ve never been. Somehow it is summer. I am ten or eight, or six years old. There will be deep fried burritos and pink popcorn sealed in cellophane and there will be plastic giraffes to buy and pinwheel rainbow hued suckers. There will be corn dogs and they will be good.
When I went to the zoo to look for jaguars I took my parents. They came to me across several states; we went to the zoo. There were corn dogs, not so good. I suppose I should have eaten only one, not waited so long for the onion rings. But I did get the corn dog. On my own personal judgment day, when ragnarok comes, this must count for something. A moonlighting St. Peter checking the blood-script on peanut skin parchment:
“Ah I see that you did have corn dogs. But did you see the prairie dogs? Did you have the deep fried burrito?”
“No, but we did have popcorn from a reproduction wagon. It had the clown and the wheel.”
“Wrong association. That was the Mall, outside the Natural History Museum.” St. Peter will blow through his beard in sympathy. “I am afraid this will cost you.”
“But we saw the giraffe and talked with the zebra…”
“Did you drink the red syrup frozen in a blue cup? The one with the bear?”
“No, I did not.”
“And did you eat the rainbow sucker?”
“I’ve got a bad tooth and besides, I never liked those anyway.”
St. Peter will draw black lines heavily upon my name.
“I did eat the corn dogs,” I have said, again and again and again.
“Yes, but have you learned to eat them with mustard? Was the batter so crisp it shattered like glass or was it hard and leathery, yielding with a snap?”
“Kind of soggy really. I neglected the mustard in favor of nostalgia.”
“But do you like mustard?”
“I love mustard. But it wouldn’t be the same then would it?”
“When is anything ever?” He will ask. “Look, finally, did your father bring his camera and take your picture against the hard blue sky?”
Oh my God, no camera, not that day. How could I answer to that omission?
“I guess you are screwed,” St. Peter will say. “If only for nostalgia’s sake.”
There were no jaguars at the Como Zoo, a five minute walk from my house. I have decided to find the nearest.
How do you do that?
If the jaguars are going to eat the sun, they had better start soon. There are not so many of them left, habitat disappearing acres into seconds. I wonder if they will pass the responsibility to house cats. The time will come, the coming of the sixth sun. Will millions of domestic short hairs, orange and calico, tabby and jet black, rise up to put the fifth sun to sleep?
“Butters,” I will ask the cat. “Butters why are you awake, breathing on me as the stars fall from the sky?”
“And the moon has turned red,” will say Butters, distractedly.
“And was it you who stole the covers last night? And you who shit on the bed? And what do you think is in the wall anyway?”
“I am very torn,” Butters will say.
“Yes, but you are speaking English and there are things I want to know.”
“I am supposed to consume you both, and this house, well--“ Butters pauses with a crinkle whisker frown. “I guess the whole world if I were the only one left able.”
Flick of the tail and sad worried eyes, staring staring at the familiar spot in the wall.
“Well, if you have to.” I will play a little with the covers, with Butter’s favorite blue wool blanket, enjoying the bewilderment of sleep. “I guess the jaguars got to you?”
“The responsibility is too basic to be sacred,” will say Butters. “Before the imagining of sacredness.”
“The sky has gone black Butters.”
“I never learned to use a can opener. You can’t imagine how much this frustrates me now.”
“I’m going back to sleep if you don’t mind, but I’m glad to know you’re my personal house cat of the apocalypse.”
Butters will sigh.
“Yes. Well, I have another problem. Not just the jaguars.”
“Oh?”
“It’s you. I guess you realize you missed the rapture.”
I would shrug, sheepish not surprised.
“And I’m eating this fifth sun.”
I would nod politely.
“But, it’s your genes, your tangled songlines, your ridiculous prayers and dreaming.”
“Yes of course,” sympathy and nostalgia for cat eyes on turkey and barf on my pillow.
“Well then, somehow I am also supposed to breathe on you and conduct you to the forest where you will sleep through the destruction of the Earth. That’s why I am breathing on you. See?”
“Oh.”
Butters breathing and staring, luminous crescent.
“Only….”
“Yes?”
“Where is the forest?”
I have faith in you Butters, I will think. You will find a forest and I will bring a can opener.
“Won’t the jaguars be pissed?” I’ll ask.
“Oh them? No no. Extinct, all gone,” she will have said.
“Don’t worry sweetheart,” I will have said. “After we’re gone you’ll fill that niche. Five hundred years tops.”
Wednesday, January 04, 2006
Not Pomegranate Jelly
Sat down to think about my grandmother’s pomegranate jelly—and believe me it was worth thinking about. Instead, unreasonably thinking about soap. I love soap; I have this thing. Not about germs, not about cleanliness, at least not directly. Passion I understand, for food or women or family or god for instance. But soap?
My fingers smell like garlic and I don’t mind. Washing dishes now and I don’t mind the garlic but am very disappointed by my dish soap. It’s orange. It’s neither sweet nor refreshing nor particularly clean-smelling nor bracing nor sexy nor powerful nor nothing. And yes I admit I ask too much of dish soap.
The hands, there’s something about the hands, thick and warm, heavy. The quiet the quiet and the stainless steel or porcelain or enamel. Steam and moment. Weight and water, naturally the water. The tingle-rush of blood and the white noise. What is it though, the feeling of satiety, the fullness? Why should puckered clean, stiff hands pressed against eyes, crushing stubble and twisting lips, feel so safe?
Could be toothpaste, ozone, chlorine and cool linens. Could be shower fog constricting hallways of crumbling plaster and falling sea tiles. Could be the mother’s hair rinse or the father’s sock drawer.
This thing with the soap then is, as everything seems to be, about the smell. Sandalwood and coconut, rosemary or peppermint, English lavender—good god with that plastic quart bottle of Yardley’s twenty—twenty! years removed and it’s still haunting me, the living and the sweet. Those little squares of French linden, nothing quite like linden even if she is dead now.
My mother once filled a shirt box with all variety of Body Shop’s “five for $12” and wrapped it for Christmas. A shirt box never smelled so good. Mary doesn’t mind that I cached satsuma in every drawer. She grieved with me when the Body Shop discontinued grapefruit. Her first forays into my then apartment are bound for both of us to those slim pink bars, that oily electric aroma. Clean and dilating, swollen with innocence, seeing through walls and wearing new skin. That was a hell of a nice soap.
My fingers smell like garlic and I don’t mind. Washing dishes now and I don’t mind the garlic but am very disappointed by my dish soap. It’s orange. It’s neither sweet nor refreshing nor particularly clean-smelling nor bracing nor sexy nor powerful nor nothing. And yes I admit I ask too much of dish soap.
The hands, there’s something about the hands, thick and warm, heavy. The quiet the quiet and the stainless steel or porcelain or enamel. Steam and moment. Weight and water, naturally the water. The tingle-rush of blood and the white noise. What is it though, the feeling of satiety, the fullness? Why should puckered clean, stiff hands pressed against eyes, crushing stubble and twisting lips, feel so safe?
Could be toothpaste, ozone, chlorine and cool linens. Could be shower fog constricting hallways of crumbling plaster and falling sea tiles. Could be the mother’s hair rinse or the father’s sock drawer.
This thing with the soap then is, as everything seems to be, about the smell. Sandalwood and coconut, rosemary or peppermint, English lavender—good god with that plastic quart bottle of Yardley’s twenty—twenty! years removed and it’s still haunting me, the living and the sweet. Those little squares of French linden, nothing quite like linden even if she is dead now.
My mother once filled a shirt box with all variety of Body Shop’s “five for $12” and wrapped it for Christmas. A shirt box never smelled so good. Mary doesn’t mind that I cached satsuma in every drawer. She grieved with me when the Body Shop discontinued grapefruit. Her first forays into my then apartment are bound for both of us to those slim pink bars, that oily electric aroma. Clean and dilating, swollen with innocence, seeing through walls and wearing new skin. That was a hell of a nice soap.
Flossing with curly stamens
Wasps making love to time and all that. Figs seeds in teeth, flossing with curly stamens. A lot of time has gone by and starting fresh is easier than fixing my old template. Mad two years and it almost is two years since I started blogging. Months and months and pieces of years since I last posted anything. There's been a lot to do. Finally with the graduation, yet still with the never-ending room of remodeling. A ring was bought and damn beautiful too though I'd sworn more times than I've got teeth I never would never succumb to that particular societal pressure. Older and older and some things just must be done, I get that. Suddenly a degree and looking for work and wanting words for cages, trapping moments creating cool green spaces of brittle low wattage light. This then is the first post of 2006.
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